When our Inquisitor campaign was unceremoniously cancelled last year by the Back Street Boys’ Reunion Tour, I never got round to displaying all the miniatures I had lined up. I wanted to keep them secret so I could do a Big Reveal in the campaign, but a year later, I’ve accepted that it could be another year before I’m comfortable back in a store setting breathing on each other across a table.
Time to showcase some more 54mm Inquisitor goodness!
In the World That Was, I was involved in a Necromunda campaign where I unlocked the Slave Guild as allies to my gang. Aside from a few perks and pitfalls, the Guild and Criminal Organisation alliances also grant you a small mini-gang to deploy along with your regular gang. You get 3-5 extra characters (using pre-built statlines and equipment) and only take the place of a single ganger, so they’re something you want to convert up and get to the tabletop quickly!
This is a rarity – I buy something, I build it from the box, and it gets painted. No conversions, no elaborate paint jobs, no carving it up for bits… What’s got into me?
When the Ambots were released in the World That Was almost two years ago, I fell in love with them. Multi-part plastic robot alien kit? Sign me the heck up. I split the box with a friend and took home my very own am-bot.
My local FLGS Asgard Wargames is running a competition on its Facebook group to get a new unit painted every week for a month. Motivated by the prospect of material reward, I figured it was also an excuse to clear my grey mountain and splash some colour on miniatures I’d otherwise never get around to painting.
2020 was a hell of a year, and 2021 is looking to be more of the same. At least this time we’ve had a year to figure out how to cope better. In my case, it’s been to buy a lightbox and an LED lamp so I can actually take photos and paint during the winter months without relying on the sun like some ancient oracle.
I’ve been picking away at projects to photograph, and with so many lined up it’s time to start blogging again. First is an early Christmas present to myself – a set of Forgeworld Ruinstorm Brutes that I had been eyeing up to make Inquisitor-scale Bloodletters.
A while ago I become obsessed with the Yu’Vath – a long-dead Chaos-worshipping alien empire with a penchant for corruption, sorcery, and warp-based technology. They all got bumped off (supposedly…) a few thousand years ago, their empire long in decline as they had fallen to the worst of their perversions and excesses.
The only thing that remains of them are their undiscovered facilities, filled with strange technology and powerful guardians animated by warp-sorcery. The perfect Cthulhu/Necromantic crossover that can spook a 40k RPG group that thinks they’ve seen all the universe has to offer!
With a triumphant, haunting cry, a titanic creature bursts into realspace, a wave of pure warp energy following in its wake.
The augers shriek in protest. The great void creature is nearly five times the length of the vessel with the mass of a small station. Its sleek body is pockmarked with strange lights and lashed with deep scars, and it propels itself through the void on massive pinions.
It lets out another fearsome psychic wail and banks through the asteroid field to bear down on the Unbroken Resolve, its terrible vantablack jaws open wide.
Our once-regular games of Rogue Trader took a side bar for a small Inquisitorial investigation into a psychotropic drug made of ground up psykers. The criminal organisation responsible was headed by a shadowy figure called the Principal, a powerful Slaugth Infiltrator complete with hidden moon base, brain-worm zombie minions and its own terrifying technology.
It’s been almost 5 months since I posted last, the combination of global pandemic, criminal negligence from the people elected to look after us and the largest civil rights movement I’ve ever lived through hasn’t given me much headspace to create content. I’ve been sat with the same 9 draft posts for months, some are from an Inquisitor campaign that is looking increasingly like it’ll never see completion, some are of projects from 2017(!), some are writing or design that I never got round to editing.
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