Month: February 2022

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MOTB: Archmagos Lingus Quinne

Finished product first!

It is finally complete! After 9000 years, I have finally finished my latest Inquistor warband. Leader of the gang Archmagos Lingus Quinne finally stands alongside his best buds previously featured on this site, including Genetor Vacillus, Arco-flagellant X206 and a Zeta-Phi pattern speciment recovery servitor.

Quinne is a radical Magos Biologis with a terrifying amount of power, both physical and political. He has a long and productive history with his Biologis peers, and his resume is littered with redacted periods from his time in the Inquisition. He knows exactly how to keep things above board and off books, making sure his science toes the line between “far enough” and “too far”.

That is, until he discovered a Yu’Vath artifact.

Assembling the magos

Building radical Adeptus Mechanicus minis is always fun, and Lingus Quinne was no exception. The biggest difficulty I actually had was narrowing my options down – I just had too many wacky concepts and weird weapon options to choose from.

Lingus Quinne started life as a different model entirely, and over years of gaming slowly graduated from Inquisitorial retinue member to dangerous radical antagonist. He needed a glow-up.

I had always been enamoured with the classic metal Navigator, and many years ago I bluetacked Hieronomus Tezla’s chain axe to the empty arm socked and thought “Oh yeah, you’ll be an AdMech one day”. He was put back in the box and immediately forgotten about until this project came about.

He wasn’t designed as a player character originally – him and the gang were supposed to be the NPC villains behind the Gorgon Crystals campaign that was sadly abandoned during the first lockdown. As a result I had very little intention of making him fair or balanced to fight against – he was a final boss of sorts, able to take on entire warbands by himself!

Freed from the shackles of even-handedness, my mind wandered to radical places. What if he was also psychic?

The narrative of the campaign centred around a bunch of weird xenos artifacts infused with warp energy, and at the centre of the web was a radical Magos Biologis who had found the keystone that gave him incredible power (with definitely no downsides, obviously). I originally tried to model him telekinetically manipulating the floor hexes around him, creating a barrier or shield, but I wasn’t happy with how it looked.

Using Scarn’s spooky mechanical hand, I flipped it over from ‘jedi mind trick’ to ‘holding a macguffin’, which suited the stoic pose of the Navigator mini far more. With the end snipped off a Dark Eldar heavy weapon to pose as the weird crystal and some thin wire as sparking energy, I knew I was onto a winner. I was just dreading painting it…

The power axe came from the 40k Techpriets Dominus figure, surprisingly well scaled for one of the taller 54mm figures. The awkward angle of the elbow join added an extra uncomfortable element, like there was an extra elbow hidden up his sleeve, or hinting at a non-human form beneath the robes.

The base was made from a now-discontinued TTCombat set – a bunch of laser cut hexagons that I stacked up to create a facsimile of stairs. I imagined his reveal being very Dracula-esque – walking purposefully down an elaborate set of steps, cloak billowing behind him, monologuing about foolish mortals daring to tresspass on his domain.

As with the rest of the gang, his power pack and mechadendrites came from Talos kits. It ties him in aesthetically to the other members of his retinue, and gives him a imposing presence on the tabletop. This fella doesn’t need to hide behind cover, and he knows it.

With the easy part done, it was on to the daunting task of colouring him in.

50 shades of Lahmian Medium

This was a daunting miniature to paint. There were lots of flat surfaces that would benefit from some freehand designs, and two separate parts of the mini that I wanted to try my hand at Object Source Lighting (OSL) on. I’ve done it in the past on smaller test figures, but never on something so large (or as important!).

Despite it being the last thing I did on the model, I want to talk about it first. The OSL was hard. After dropping a dozen or so hours into painting this figure, I was about to spend the same amount again repainting it in a different colour.

My first attempt was so poor I wanted to re-prime the whole model, I didn’t know how I was going to recover it. I watched a lot of youtube tutorials before bringing myself back to have another crack at it.

What I learned? Firstly, watch some damn tutorials. Second to that, patience. When people who do this often say it takes a million thinned layers, they’re not joking. Don’t faff about with water, get some proper blending medium too – Lahmian Medium is what I used, but shop around for your favourite.

Finally, and this was the bit I tripped up on, get your colours right. There are painting tutorials of people much smarter than me who can explain colour theory and lighting far better than I can, but I’ll do my best.

I originally tried to have a mid-range purple and thinly blend that over the existing colours, and highlight up by blending in white. That looked disastrous because I was missing other hues to give it proper depth.

When I started using other purples and pinks, lining them up in rough order of shade, and blending those on top of each other, the results were striking. The recesses were a dark bluey-purple, the mid tones were a warm light red, and close to the origin was electric pink. Pure white was only ever used on the object itself.

And by gum, I think I pulled it off! I made a bunch of mistakes on it, and doing it again I would be more bold with my darker tones, but given how little I’d done before and the stakes involved in getting it wrong, I’m very happy with it.

The first OSL on the model was actually these plasma coils, where I got my eye in for how to thin down colours. I borrowed from this tutorial on plasma glow, which gave me the confidence to try it at a much bigger scale.

Turns out it’s much easier to hide mistakes on a small scale!

Once I got into it and understood what I was supposed to be doing, I massively enjoyed it. I’ve been eying up future minis to experiment on too, so that must be a positive!

The robes colours were also problematic. I had a colour palette from previous retinue members to copy, but annoyingly I used the same colour scheme for armour on the servitors as I did for the robes on the Magos, and Quinne was the only one of the four who had both robes and armour in any real quantity.

With all his layered clothing and armour, I made several attempts at a coherent scheme before I settled with the red/black/white combination. Cog teeth patterns were mandatory, of course.

Deciding what to put on the cloak was fun, but required several re-works too. I definitely wanted the Genetors symbol on there – a stylised double helix representing his background in DNA meddling research. Given his new-found interest in Yu’Vath artifacts, I toyed with the idea of alchemical symbols too.

He’d essentially found a Philosopher’s Stone and could transmute substances previously thought impossible by science. Symbols having two meanings was a nice touch – Iron and Mars having the same symbol (♂) seemed like an obvious choice, and the symbol of Mercury, Spirit and Fusibility (☿) was a nice representation of his new hobby.

Unfortunately when I put them together, he looked like a gendered bathroom sign.

Back to the drawing board! I decided I just wanted one symbol in a cog, perhaps a new sub-faction of Mechanicus he had founded, and found the Philosophers Sulpher symbol (🜎) particularly intriguing. It represented the ultimate ‘spiritual goal’ of alchemy – the perfect marriage of spirit (mercury) and soul (sulfur). Something he’s attempting to do with his psychic awakening from the Yu’Vath artifact perhaps?

It was hocus-pocus enough to be interesting, and I could potentially use it as a plot hook for later down the line. For now though, it’s a cool symbol that toes the line of heresy. Perfect!

The base was painted as the others were – edge highlighted with dark to light greens, then given several thin layers of gloss varnish to give it that xenos feel to it.

And he was finished! The only thing remaining was to put him with the others and see how they looked as a warband.

Pretty bloody excellent I think!

I’m very happy with how he came out. I must have sunk close to 30 hours into him overall, including research and repainting, but it was worth it. Inquisitor minis deserve that level of attention and patience, and I’d like to think the results speak for themselves.

Now I just need to come up with character sheets for them…

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MOTB: Bedlam Feast chaos cultists – killer clowns

Finished product first!

Previously I’ve showcased some grubby Bedlam Feast cultists and some equally grubby but slightly fancier Bedlam Feast Red Revellers, so it’s time for some muscle. Some grubby, pustulous muscle.

Clowning around

Our Dark Heresy campaign needed some bulky enemies. I had intended the cultists to be cut down in droves, potentially even borrowing from Black Crusade’s Horde mechanics for later encounters. Among those would be some hardcore melee mutants that had real staying power – a must for high-level groups.

I had a sprue of poxwalkers from the old Conquest magazine, and it was obvious what had to be done. You can’t have a circus without clowns.

Very little conversion work was done to the models individually – almost everything was adding circus attire with green stuff. A few weapons were swapped for weapon variety and make them more viable for cross-pollinating with Necromunda.

The ruffs were done by following this rather excellent tutorial.

They’ve been a hoot in Necromunda using them as Helot Cultists with Frenzon Collars. Turns out if you’re always on combat drugs, you don’t suffer the side effects from not being on combat drugs. Win win!

And of course with any Necromunda gang, naming convention is important. Despite them being all nameless goons in Dark Heresy, they needed important-sounding names that binded them together. This Bristol primer to all available woad-paste colours in 1574 was ideal.

Guide to colours - a primer on the available woad-paste colours of Bristol, 1574

With their very serious and fearsome-sounding names chosen, it was time to assemble the squad.

Gooseturd

This lad probably had the most extensive green stuff work, which wasn’t so bad when working with a large batch of minis. It’s easier to do little bits on all of them and wait for them to cure.

When it’s just one mini I’m working on, the temptation to keep adding layers is far too great, and I always end up smushing my big sausage fingers onto a piece I’ve just spent half an hour sculpting. Patience and layers, people!

The mini was originally armed with a broken chisel in the left hand, which clearly needed removing. An old Empire pistolier arm was the perfect replacement, and the big poofy sleeves helped tie the mini into the Venetian jester look. A rattly autopistol also serves him well on the tabletop, giving him versatility and making target priority much trickier for opponents.

The jester bells were the trickiest part to figure out, but once I had the technique down I could do them all in one sitting. It involved rolling tiny tiny balls of greenstuff and letting them cure overnight, before supergluing them to the mini with a pair of tweezers.

I must have rolled out about 40 or 50 tiny balls in total, lined them up in order of size, and took the median. I’m bad at eyeballing sizes so I figured if I did shitloads I’m statistically more likely to get ones in a similar range.

The colour scheme followed the same recipe as the cultists – red, yellow and brown with a wash, then highlighted with the same colour.

The diseased flesh was a pale grey-green colour as a base with a sepia wash. Buboes were highlighted again, and particularly gnarly areas of guts or growths had a smash of crimson wash.

Ape Laugh

This fella had some surgery to remove his broken gas mask head and replaced with something a little more festive. A classic Night Goblin head looked suitably jovial, and was disguised by adding another couple of points to the hat.

The same ball trick was used as before, selecting larger balls for the hat, and smaller ones for the points on his clothing.

Sometimes you don’t need anything other than a two-handed axe and a really big smile. In Ape Laugh’s case, you absolutely needed more than that. He hasn’t had an outing in Dark Heresy yet, but his Necromunda track record has been appalling.

He currently holds the record for a ganger who has been killed the most. Four iterations he had – his great axe being handed down before the previous owner had gone cold. He huffed some Ghast and exploded his brain in the opening turn of the first game. He slipped and fell down a pit, 66ing himself on the way. He ate a melta gun at close range. Finally he was left bleeding on the floor, technically saveable by a doc, but after three failed attempts at getting him off the starting line, his boss decided he was worth more as a fine paste, and sold him to the sausage man.

Maybe next time, eh?

Ham colour

Probably the least work I did to any mini, and the one I think came out the best! Sometimes all you need is a rictus grin and two spiky ham hocks for fists. In Necromunda I ran him as having two mauls, which despite being an objectively bad choice, does make for a fun game.

They are entirely underwhelming weapons (and the only thing in the game that improves the armour save of the victim), but their Damage 2 makes for an unpleasant surprise for an Orlock leader who fails a couple of armour saves.

Spiky bits were done with Ushabti Bone, washed brown, then thin lines of bone painted back on. All the muck on the feed and clothes was Typhus Corrosion stippled on with an old manky brush.

Raw Flesh

Another lad with a weapon swap, this time from a maul made from old rebar. I already had a lot of clubs in the squad, and despite them being thematic they’re just not very good in either Dark Heresy or Necromunda, especially not when I have the option to give one a chainsword!

I always try to make my model loadouts unique where possible. It encourages me to be creative with parts, and makes them easier to pick out on the tabletop. Which Ganger With Lasgun was this again? Forgettable Larry #5?

In game I’ve counted his tentacle arm as a flail, which turns out to be a disgusting combination with a chainsword and Frenzon collar. This guy cleans house.

Anybody who plays Chaos (or any Outlaw gang) should absolutely be investing in Frenzon Collars for their melee lads. They are absurdly cheap – 30 credits – and make your ganger tough as nails. Nerves of Steel, True Grit and Unstoppable ensure they get into combat, are harder to put down, and heal off Flesh Wounds if left alone too long.

Coupled with the added benefit of a nominated ‘owner’ being able to group activate collared gangers from any distance across the tabletop? shutupandtakemycreds.gif

Bristol Red

I enjoy the simplicity of this fella. Just a happy lad taking his grenades for a walk. Another good flail warrior, and gives me scope to write an interesting weapon type for dark heresy!

Bomb flail: 1d10+1 Impact, Primitive, Flexible. On a Critical Hit, in addition to flail damage, centre a frag grenade on the target. On a Critical Fail, centre a frag grenade on the attacker! It’s excitingly random and will likely kill the attacker either way, but it throws up enough variation for players to come up with novel ways of avoiding explosive death at the hands of a mutant clown.

In addition to having a collection of Talents to bump up their meanness in Dark Heresy, the change that has had most impact is giving them Critical Damage. It’s something I reserve almost exclusively to boss characters as it slows the game down massively and ups the bookkeeping for the GM.

However, after dipping my toe back in and giving these lads Critical Damage, it’s been a huge success! It nearly doubles their health without artificially bloating it and makes them feel uncomfortably tough. The bookkeeping becomes easier too, as they’re all uniquely equipped it’s easy to keep track of which clown is missing which arm.

Lustie-Gallant

Yikes, maybe I need to cut back on coffee while I take photos. The final lad was another simple weapon swap – exchanging his spiked bar for an axe head, and his little mutant hand for another whole axe.

Axes are cool, fact. They’re also very deadly, both in Dark Heresy and Necromunda, so giving him a pair of them seemed appropriate. I imagined him as a kind of axe juggler, so I made sure to include some throwing axe rules for when players think they’ve got a couple more turns before he gets into melee range.

I also gave him a little tuft of hair, Krusty the Clown style, to help balance out his silhuoette a bit.

in clownclusion

I am very happy with how this horrible bunch came out. Simple conversions with a simple paint scheme that work really well together. They’re versatile enough to be used in a range of different systems, and they’re great baddies to roll out when I don’t need any morally grey villains.

Send in the clowns!

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MOTB: Bedlam Feast chaos cultists – Red Revellers

Finished product first!

Last time we looked at the first wave of cultists for a Dark Heresy/Necromunda crossover project – a group of carnival miscreants called the Bedlam Feast. This time we’re looking at the cultists that infiltrate the upper echelons of society – the Red Revellers.

Cut to the chase

Our Dark Heresy campaign had our characters grapple with all rungs of the social ladder, from the mucky footsoldiers that pursued them from the Red Cages and attack in numberless waves, to the sneering elites that had fallen into the Dark God’s embrace.

Basically I needed some fancy-dancy slicey-dicey NPCs that could threaten our players in otherwise “safe” social situations, or provide dangerous and unpredictable muscle in traditional combat encounters.

The campaign book called them Redjacks, barbershop-looking nutjobs with sliced up faces and wielding cutthroat razors. I would reskin them slightly to fit the carnival theme of the Bedlam Feast, and I wanted some mean Assassins Creed-looking assholes to act as Champs or Leaders for potential Chaos Helot gangs in Necromunda.

I looked around a lot, and the rather excellent Brotherhood range from Freebooter Miniatures fit the bill perfectly. To date this project massively, this was pre-Brexit postage fees. I dread to think how much it would cost for a handful of (admittedly brilliant) miniatures like that these days.

When my handful of revellers arrived, there wasn’t much to do except assemble, base, and paint them.

What’s yellow, white, and red all over?

The first lad is the most regal looking, potentially a leader of sorts. He is the Master Assassin miniature, and certainly looks the part. The only editing I did to the base model is remove the crossbow in favour of another sword.

I knew I wanted to paint him in yellow so I could lean into the Lovecraft ‘king in yellow’ vibe if I needed to. I just really, really didn’t want to paint yellow…

I’m glad I did though, as it’s come out rather well. I guess that’s what tediously painting 10+ layers of watered down yellow will do, huh.

The miniature also had a strange split across its face, the store model painted to look like a kind of skull face? I wasn’t really sure what the intention was, but for me it was an opportunity to break out my favourite gore paint, Blood For The Blood God.

These guys would be big on self-mutilation and hiding it behind their masks, and what better than having a creepy leader who has a mask in place of skin?

A little trickle of blood on the inside of the mask and dribbling down his top helps sell the imagery, and he definitely looks like someone who’s going to cause trouble when the mask comes off.

What’s the matter, never seen a black and white before?

Next up was this sneakthief from the Coscritti and Harlequin set. I wanted to do a domino look with white and black alternating patterns, but there was a lot more cloak than I was anticipating.

I didn’t have the time or energy to give the stitched-together cloak as much attention as it deserved, so I went for a boring grey on the outside.

I wanted to have some unifying colours across all the squad, so even though they were brightly coloured and individual, you could tell they ran as a pack.

The inside of all the cloaks were painted the same crimson, and traces of fresh wounds are visible under all their masks. Finally, all their weapons were given a blue wash rather than the usual brown or black, giving them a slightly uncomfortable hue.

Maybe if I had more time I would have painted different shades of grey on the cloak patches to emphasize the domino look. But hey, perfect is the enemy of finished.

Digging the Dancing green

This lady I really liked. She is the other half of the Coscritti and Harlequin set and had such a dynamic pose I couldn’t help but spend some extra time on her. I opted for green as her base palette, but I had real difficulty figuring out which bits of clothing ended where, and which shade they should be as a result.

I am particularly proud of the pinstripe pattern across her arms and legs that match her feathery headdress. It actually came about by accident, as I was painting different coloured swatches onto her legs to figure out which kind of green worked better against the darker tone I’d picked for her corset and poofy leg bits.

The contrast of both stripes really worked and I talked myself into doing some freehand across the arms and legs, and I’m glad I did!

I used Athonian Camoshade as the wash for most of this miniature so the green tones come through more. I also took a craft knife to her face before priming so there would be lots of lovely gouges I could splash some gore paint into.

The bases were same as the other Bedlam Feast – cobblestone resin bases from Ragnarok Hobbies – painted in various shades of grey and tan, then given a heavy black wash. Typhus Corrosion was stippled around to look like muck, and flicked onto cape hems and boots.

Silent night, holey night

This was my favourite by far. The Bonaccia miniature, unchanged, and painted in a variety of purples. This lady struck a chord with me, I think because she reminded me a lot of one of my favourite Oldhammer minis, Aenur.

Pinched from the internet

The silhouette is very different, but the vibes are the same for me. It has the same stoic pose (with thigh high boots), grasping the cloak in one hand, and a single blade in the other. They both have an aura of menace about them.

You can tell I enjoyed painting this mini because I went all out on the cloak. A freehand starry night scene, complete with multi-tone blended background? Who on earth am I trying to impress with that?

I tried to bring the design over to the front as well, painting a little star on her mask, but I’m not sure how well that translated.

I also very much enjoyed her ruff collar, a clear visual tie-in to something I attempted with my previous mooks and I would continue on to use on my killer clowns…

But that’s a story for another time!

I’m very happy with how these came out, especially given the short time I had allotted myself for painting them. They had their first brief outing in the World That Was, so I’m excited to bring them back out again when we start out game nights back up. Perhaps this time with slightly better stats!

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MOTB: Bedlam Feast chaos cultists – first wave

Fnished product first!

In the World That Was, I was running a Dark Heresy game that was entering its final stages of escalation. Our mid-high level characters had woken up naked and bloody in a pit of despair, deep in the filthy clutches of the Beast House. After escaping, they find themselves in the middle of an end-of-the-world carnival riddled with mutants, heretics and witches.

Where those three venn diagram circles overlap, you get the Bedlam Feast. A Chaos faction out for mayhem who have been responsible for several atrocities in our characters’ lives and are now moving to put their final plan into action. For this, I needed some cultists.

A brief interlude

I needed at least a dozen cultists, as I expected them to be mown down in droves by the climax of the campaign, along with some specialists and hero-type units. They needed to be carnival/circus-themed, as its imagery I’ve been obsessed with since Mordheim’s Carnival of Chaos range.

I wasn’t about to drop triple digits of cash on some ancient metal models, and I’d always wanted to own a set of the (now long oop) Dark Vengeance cultists. Anvil Industry do some excellent hooded cultist and masquerade heads turn out to be a perfect fit for human-sized 40k miniatures, who’da thunk?! I’d also identified some potential hero figures from TTcombat’s Carnevale range, but we’ll come back to those later.

I wanted a cobbled street base, and the heck I was making those myself. Mine came from Ragnarok Hobbies (previously Gladius Game Art).

Preparing the feast

Along with some Bretonnian and Empire odds and ends from my bits box, I cobbled together a test miniature with a GSC grenade launcher and was very happy with the fit.

After examining the minis I’d be converting, nearly all of them had a kind of mantle that the hood would join up to. This would make the red/yellow circus tent colour scheme I had in my head work very well, but some lads had the nerve to be topless.

Some like it ruff

I didn’t fancy sculpting mantles on everyone, so in-keeping with the venetian clown aesthetic, some had large ruff collars sculpted on them to hide the joins.

I used this rather excellent tutorial on sculpting ruffs, and I had it down pretty well after one or two passes.

The cultists are equipped with a variety of hand weapons as standard, but I didn’t want that for my lot. From both a book-keeping and a deadliness perspective I wanted more axes – a simple melee weapon that can still threaten a well armoured high-end PC, whereas clubs tend to bounce off.

Hot or not?

I wanted to include some classic entertainer archetypes, and the firebreather was one I was desperate to include. Not only does being on fire really, really suck in Dark Heresy, but the mini could very reasonably double up as a flamer or witch in Necromunda. Reusability of minis is always at the forefront of my mind!

This lad was made from an Empire Flagellant with a Skaven cleaver right arm. I always avoid sculpting where possible because I’m incredibly lazy, and to commit to making a jet of flame seemed like absolute madness.

Luckily I had the perfect piece in the bits box – a scenic flame piece that I honestly cannot identify any more. I thought it was from a Chaos Lord of some kind, and I can vividly picture it being part of the classic mounted Archaon kit but my Google-fu has failed me. Anyone know what it is?

I did a bit of hacking down to make it look more directional, but I was extremely happy I had exactly the right piece for the feel I was going for. I’ve gone 32 years on this planet without ever having to sculpt flames, and I’m not about to start now.

Crusty Jugglers

Another archetype I wanted was a loon juggling some grenades and some kind of spooky plague doctor. Luckily the Bretonnian men-at-arms had a jester-type sculpt perfect for me, and some absolutely painstaking pinning and gluing with some Goliath stick grenades gave me a rather excellent juggler.

The plague doctor was another Men-at-arms (Emperor bless that kit) body, with an Anvil masquerade head, a sickle from a Mantic kit, and a big spooky head potion from the classic Empire Wizard plastic kit. Simple but effective!

Painting the town red

Finished, not perfect. I needed a lot of these guys done quickly, so they’d be painted in my signature ‘speed paint’ style – Base, Wash, Highlight with Base Colour.

My Agrax Earthshade was reaching the end of the pot so some of them came out with a little oily sheen in the recesses. Not the intended outcome, and were it a more important mini I’d likely be a little upset at the effect, but as it’s for a bunch of grubby bullet-fodder I don’t think it takes anything away.

The skin tones were done with Idoneth Deepkin (or a pale grey/green) with a sepia wash, extreme edges highlighted with Deepkin again. Any sores/piercings had a little spot of Carroburg Crimson wash dotted on them to make them look inflamed.

Guns were Leadbelcher with a wash of Agrax. The dark grey/black robes were Eshin Grey, a splash of Nuln Oil, and an edge highlight with Mechanicum Grey.

I was happy to paint as many cultists as I could assemble. They’re lovely miniatures to have for just about any purpose, and they’re a great nemesis in Dark Heresy. Don’t underestimate the power of a handful of mooks with autoguns firing on Full Auto!

I think the circus theme really comes into its own on sculpts like the juggler. I’ve also had great fun in a recent Necromunda campaign running him as a Helot Cultist armed with frag grenades and two clubs. Every game, without fail, he would flub his frag grenade, immediately fail his ammo check for more frag grenades, charge into combat with his clubs and get kerb-stomped by a retaliation attack. 10/10 game of the year.

I wasn’t quite sure what I’d use the plague dorctor mini for, but the parts just came together serendipitously as I was sifting through my bits box for inspiration. She’s already had an outing in Necromunda as a Helot Cultist with Shard Grenades from the black market.

She never directly took anyone out, but the look you get from a Goliath player when you ask them to make a Willpower check on their cluster of heavy hitters is worth its weight in guilder creds.

I’ll concoct something suitably nasty for our Dark Heresy group too, likely with oodles of corruption points.

Finally my firebreather. This was my second-ish time of painting fire, so you could say I was getting pretty hot at it by now. I still had to pore over tutorials and reference images, paralysed in fear of getting it wrong. I shouldn’t have worried.

Drybrushing was the biggest help here. Previously I’d attempted to wet blend, which usually results in obsessively picking over details with diminishing returns. This was quick and easy, and with enough natural variation in texture that it looks good from a few feet away.

Were this a different project and I had more time/resources/inclination I might have attempted some OSL from the fire to add some drama to the mini, but as a wise woman once said, ain’t nobody got time for that.

The gang’s all here

And just like that, the first wave of basic fodder cultists was done! I have a collection of others on their way to bulk them out, including some heavies, specialists, and a few hero units, but I have to finish painting them first…